Research
The Six Principles Of Documentary filmmaking
- Expository Mode
- Observational Mode
- Participatory Mode
- Poetic Mode
- Reflex Mode
- Performance Mode
- Directly addresses issues
- Aims to inform or persuade
- Creates a specific augment
- Emphasises rhetoric using imagery
- Creates meaning through the relationship between the filmmaker and the subject
- Filmmaker interviews or interacts with the subject or subjects, becoming a social actor
“How can creative choices affect our perception?”
The documentary style is a Run-And-Gun type of filmmaking. It uses real world views and opinions to come to a conclusion and educate the audience in an entertaining way. The filmmaker can use creative choices such as Genre, Cinematographic style and Narrative to sway opinions of an audience and create a required emotion.
Ghost - The Devils Hands
http://deepen.net/ghost_-_the_devils_hands.mp4 (15-minute runtime)
This first documentary is one that I found after a few years of searching. It is interesting to me because it is an underground documentary. This means that only a select few people in the world have seen it. It is banned on almost all streaming services due to its mature themes and follows the mystery of the masked band ‘Ghost’ unveiling their satanic secrets.
Surprisingly, this particular short doc is very light-hearted. Although plastered with adult humour, the audience still grasps an eerie feeling of unease as more questions are raised than answers given. The whacky ‘off the wall’ comedic choices mislead our attention from the primary focus of the documentary. The limited access walkthrough of the backstage leaves us dying to know more; and shots end just as we are close to conclusions. Overall, the documentary was informative but not expressive because we were given information that made us ask for more.
For example, none of the bandmembers were present during the entire documentary – appearance from 10:06 -; this is emphasised by the repeated use of “where is Papa (lead singer)?” - see 8:27 – The short doc relies on interviews from ‘clergy members’ (crew members). This means that our perception on the documentary is one being told from an inside perspective but not one of the focus. Ideally, another interview could be conducted of the lead singer. Asking about the origin of the band and the reason for the satanic imagery. Instead, we are given accounts of crew members that only have slight connections to the anonymous bandmembers.
From a filmmaker's perspective, the editing helps to create a narrative that leads us through the doc. However, no real answers are provided and so it is not a conclusive documentary. This is possibly a nod to the fact that a growing band is one that scales and markets to changing demands. This would not need a conclusion as it represents both the integrity of the anonymity of the band and the ever-growing change in the music industry.
Sergei Boutenko – I Want Abs
FITNESS DOCUMENTARY: I Want Abs By Sergei Boutenko (full movie) (1-hour 15-minute runtime)
“I Want Abs” is an educational and informative look into fitness for everyday people. The documentary follows Boutenko as he embarks on a weight loss/ muscle gain journey. The film expertly documents every turn of events along the way and explains how this has changed his life for good.
In terms of creative design, this lengthy internet doc describes every detail to a fine iron. Professionally filmed and edited so that us, as an audience, can experience every high and pitfall as if we were there with him. Unlike the previous doc mentioned, this one overemphasises details to present the importance of the information to the subject. Everyone involved is correctly introduced and cinematographically the style is that of a ‘pick up and go’ film. Although most scenes are not scripted, the narrative clearly plays out and pacing is fast enough to keep viewing fun and engaging.
The doc makes great use of the professional camera team with the heavily cinematic montage sections – see 2:38 – I feel this is what keeps the pacing fresh; we are loaded with information followed by cinematic style videography to present the information previously mentioned.
I feel that the choice of ‘The Personal Trainer’ was the perfect comic relief. His unpredictable, hyper active nature clashes with Boutenko in a way that lightens the usually serious mood. I feel this is an extremely important creative choice because it weakens the possibility of creating an hour of stale content and keeps the production fresh.
The gradual change in Boutenko’s mood and physical features throughout the doc is what I believe creates the satisfying conclusion that we are given. Seeing his dedicated and hardworking climb to success without leaving anything to waste is what we can take away from the conclusive ending. - see 1:02:18 - ‘The Results’ is the recap for what we have sat through. This section is what gives the audience their final overview of the events for them to perceive.
In conclusion, perception is relative to the filmmaker's ability to tell a successful narrative. Obviously, genre and cinematographic quality will enhance an audience's overall view on production quality; But it is the creative choices of who is featured on screen and how the edit is paced to successfully convey perception of a belief.
Aside from these, I spent the cruel majority of the third British lockdown binging documentary series. These varied from the twisted narrative of a crime doc, to the beautiful imagery of a nature doc. I found that all different filmmakers create their films to suit their audience and convey a story to their cinematographic style.
- Breakfast - Protein Granola
- snack - Mixed Nuts
- Lunch - Chicken and brown rice
- snack - salmon, avocado, egg, noodles
- Dinner - Steak, egg, rice
- snack - Dark chocolate, banana bagel





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